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Oscars 2026 as it happened: One Battle After Another dominates, Anne Hathaway teases Devil Wears Prada sequel

Michael Idato, Karl Quinn, Nell Geraets, Damien Woolnough, Lauren Ironmonger, Kayla Olaya and Garry Maddox
Updated ,first published

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So long and farewell to the 2026 Oscars

By Nell Geraets

Believe it or not, that’s a wrap on the 98th annual Academy Awards!

It always feels a bit strange bidding adieu to awards season after months of anticipation and movie binge-watching. But alas, the trophies have been handed out and the tears have been shed. Now all that’s left to do for the stars of Tinseltown is party down.

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Though relatively light on the politics, this Oscars ceremony still managed to keep us on our toes. The Sinners v One Battle After Another brawl was feisty to say the least, and the best actor race between Michael B. Jordan and Timothée Chalamet was spicy until the very end.

As much as I would have loved to see a few more performances (you could never go wrong with more of KPop Demon Hunters), Conan O’Brien’s opening montage skit in which he played a version of the witch from Weapons travelling through scenes from each of the nominated films will stay with me for a long time coming. Please, Academy, bring O’Brien back next year.

So, thank you for joining us on cinema’s night of nights – we’ll see you at the next one. Now, excuse me as I go swoon over Jordan in Sinners for the umpteenth time.

Paul Thomas Anderson reveals the only reason he is still making films

By Michael Idato

Speaking backstage, One Battle After Another director Paul Thomas Anderson, winner of both the best director and best picture Oscars, said the success of the film would not have been possible without the many collaborations that brought it to life.

“I have been doing this long enough to tell you that the reason I continue to do it is the people I collaborate with,” he said. “Honest to God, the thing that really gets me excited about making films is collaborating with people. It’s number one on my list. As you get older, and you do it, the only reason you do it is to be with people.”

Paul Thomas Anderson and Sara Murphy accept the award for best picture for One Battle After Another.Chris Pizzello/Invision/AP

Anderson also addressed some of the online conversations about the portrayal of black female characters in the film.

“I know a little bit about that critique, I know Teyana [Taylor, who stars in the film] has talked about it a lot,” he said. “We knew we were making something that was complicated, we knew we were making something that was heroic, and we needed to lean into that. That this woman was suffering not only from postpartum depression, but that she had issues of her own that she really hadn’t reconciled with.”

In the best director category, Anderson was up against a formidable lineup: Chloe Zhao (Hamnet), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value) and Ryan Coogler (Sinners).

And in the best picture category, One Battle After Another knocked out Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, The Secret Agent, Sentimental Value, Sinners and Train Dreams.

Jessie Buckley: ‘Don’t go to bed. Keep partying.’

By Michael Idato

Best actress Oscar winner Jessie Buckley said backstage it was a perfect storm that delivered her a win on Mother’s Day weekend, as a new mother to a baby daughter. (Mother’s Day is celebrated in Ireland in March.)

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“It feels like some kind of crazy alchemy that all of these things are colliding on a day like today,” she said. “My daughter got her first tooth, I woke up with her laying on my chest snuggling me.

“What a gift to get to explore motherhood, through this mother that Agnes is and was, and to become one myself, and to receive this incredible recognition of the role mothers play in this world, on this day.”

Buckley, who played Agnes Shakespeare in Hamnet, beat out a field including Australia’s Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value) and Emma Stone (Bugonia).

Asked what her message for her family and friends was, she said: “Don’t go to bed. Keep partying. That’s what I’m going to do.”

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This one’s personal. Cheers for Michael B. Jordan backstage

By Michael Idato

Speaking backstage, best actor Oscar winner Michael B. Jordan was met with rapturous applause.

Walking into the backstage area, everyone was on their feet and cheering for Jordan. To put that in context, the backstage areas of the Oscars are pretty focused on the business of the night, and do not often indulge stars so personally.

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The Oscar winner said both of his characters in the film took time and care.

“I write a lot of journals for my characters, their backstories,” he said. “I write all the way up to the first page of the script. And that gives me an opportunity to figure out where they are coming from. And it informs a lot of their decisions.”

The films were political, but the speeches were not. What gives?

By Karl Quinn

If there’s a key takeaway from this year’s Oscars ceremony, it’s how politics featured – or rather, didn’t.

The two biggest winners were One Battle After Another, with six awards, and Sinners with four. Both are deeply political films – the former overtly so, the latter allegorically but still unmistakably political.

Throw Jessie Buckley’s win into the mix for Hamnet, a film that is in its own way quite profoundly political, and you’ve got a triumvirate of movies that have a lot to say about some of the biggest issues of the moment: the rise of the Christian right in American politics and the usurpation of democracy; the deep-seated racism in American cultural and economic life; a woman’s right to control her body; the transformative power of art.

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Coupled with the mad state of the world in which we find ourselves, with wars raging, economic disparity growing, democracy under assault and the extremist right on the rise seemingly everywhere, you might have expected more than the average round of speechifying at the Dolby Theatre. Yet, it was almost entirely absent.

Why Sinners’ director always wanted Jordan as his leading man

By Michael Idato

Speaking backstage, original screenplay Oscar winner Ryan Coogler said he always had Michael B. Jordan in mind as the star of Sinners.

“It was [Michael] from the beginning,” Coogler, who also directed Sinners, said of Jordan’s dual role portraying twins Smoke and Stack, for which he was named best actor.

Sinners director Ryan Coogler, winner of the award for best original screenplay.Jordan Strauss/Invision/AP

“As soon as I imagined who those two characters were going to be, I knew I had to call Mike,” Coogler said. “And he got to me before I got to him, he called me about another project he was working on.

“Thankfully he said yes, I wanted to get the script nice and tight for him, but he jumped the gun a little bit,” Coogler said.

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Overdue recognition for a distinctive cinematic voice

By Garry Maddox

Before these awards, Paul Thomas Anderson had not won a single Oscar for a career that has included directing Boogie Nights, Magnolia, Punch-Drunk Love, There Will Be Blood, The Master, Inherent Vice, Phantom Thread and Licorice Pizza before One Battle After Another.

Now the 55-year-old writer-director-producer has three – confirming his place as one of the most distinctive voices, and one of the contemporary greats, in American cinema. His 11 previous unsuccessful nominations were washed away in an hour or so at the 98th Academy Awards.

But the strength of Sinners after Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever, suggests Ryan Coogler, 39, is just as worthy of those descriptions. He won his first Oscar for the (very) original screenplay for Sinners.

Hollywood might be struggling to meet the challenge of streamers and cinemas are struggling to bounce back from COVID, plus the impact of actors and writers’ strikes. However, it’s heartening for cinema lovers to see that strong, thought-provoking, inventive American films – Train Dreams and Bugonia among them – are still being made.

Has an actor ever won an Oscar for playing twins in a film before?

By Garry Maddox

Michael B. Jordan’s best actor triumph for Sinners – he played twin brothers Smoke and Stack – is far from the first time someone has won an Oscar for playing multiple characters in the same film.

As recently as three years ago, Michelle Yeoh, Ke Huy Quan, Stephanie Hsu and Jamie Lee Curtis played multiple versions of their characters across different multiverses in Everything Everywhere All At Once, winning Oscars for their efforts.

Six decades ago, Lee Marvin won best actor for playing identical brothers – I’d have to watch the film again to see if they were twins – in the 1965 comic Western Cat Ballou.

Buckley beats Byrne in the mother of all battles

By Karl Quinn

Jessie Buckley has been racking up the wins all awards season and was all but unbackable as favourite to win tonight, but the delight seems genuine.

She gives a shout-out to her family. “They’re all here,” she says excitedly. “Ireland bought them flights.”

Jessie Buckley accepts the best actress award she was hotly tipped to win. Chris Pizzello/Invision/AP
Buckley reacts as her name is called out. Chris Pizzello/Invision/AP

She also gives a big shout-out to her husband, Freddie Sorensen, a mental health worker she reportedly met on a blind date five years ago and with whom she has a child. “Fred, I love you, man, I love you. You’re the most incredible dad. You’re my best friend, and I want to have 20,000 more babies with you. I do. I do.”

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One Battle After Another wins best picture fight

By Nell Geraets

Everything has been leading to this moment – it’s best picture time. And the biggest award of the night goes to… Drum roll… One Battle After Another!

“Getting to make this film with this cast and this crew… has been the greatest filmmaking experience I can fathom,” said Sara Murphy, the film’s producer. “Receiving this award is just beyond – my heart is exploding with gratitude.”

Anderson then took over the mic, taking the opportunity to be as humble as ever.

“In 1975, the Oscar nominees for best picture were Dog Day Afternoon, One Flew Over the Cuckoo’s Nest, Jaws, Nashville and Barry Lyndon. There is no best among them, there is just what the mood might be that day. But we’re happy to be part of this wonderful, wonderful journey with our fellow nominees, our fellow filmmakers [and] our fellow filmmakers who even weren’t recognised by the Academy.”

Paul Thomas Anderson and Sara Murphy accept the award for best picture for One Battle After Another.Chris Pizzello/Invision/AP
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