Nick Buckley is an arts and culture writer.
This week’s must-hear albums include a jazz master’s opus, a Danish delight and a Western Australian gem.
The show runs for little more than an hour – with an ensemble of just four dancers – but nonetheless gives the impression of an epic drama.
The most influential pop star of the 21st century became a single mother through IVF – and then made an album about it.
On an ominous, stormy night on St Kilda foreshore, Grace Jones makes a declaration that sounds a bit like a threat: “I’m gonna have some fun tonight.”
Every now and again Melbourne’s indie theatre scene throws up something destined for a bigger stage. I hope that’s the case with Harrison Clark’s Sabotage.
American artist Billy Woods’ latest rap masterpiece has an added layer of uncomfortable resonance in Australia.
The singer-songwriter’s new album wasn’t intended to be political, but it arrives at a tense moment for Aotearoa politics.
Recorded between two senseless murders, Mustafa’s new album finds faith as a salve amid overwhelming grief.
The tight-knit hardcore scene has an aversion to outside interest. But that hasn’t stopped Speed from becoming Australia’s biggest musical export in years.
With her debut album Vertigo, British pop star Griff is navigating intense new heights.